"Overture (Suite) No. 2 In B minor, BWV 1067 : III. Sarabande" by Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach was released on August 1, 2005. The duration of Overture (Suite) No. 2 In B minor, BWV 1067 : III. Sarabande is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Overture (Suite) No. 2 In B minor, BWV 1067 : III. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bach Collegium Japan's "Johann Sebastian Bach: 4 Orchestral Suites, BWV 1066-1069" album is number 15 out of 24. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Overture (Suite) No. 2 In B minor, BWV 1067 : III. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture (Suite) No. 2 In B minor, BWV 1067 : III. Sarabande by Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM |
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