"Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium" by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria had its release date on March 6, 2020. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 44 in Biber: Rosenkranzsonaten, C 90-105 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. The popularity of Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": I. Praeludium by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletti di Venezia: VII. Adagio | Unknown, Ensemble Caprice, Matthias Maute | D♭ Minor | 0 | 12A | 146 BPM | ||
Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Sonata à 3 in D Minor, B. d2: II. Largo andante | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Trio Sonata in F Major, TWV 42:F6: II. Largo | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Minor | 4 | 6A | 120 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Premier Concert: Menuet En Trio (Couperin) | Le Concert Des Nations, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca | Giovanni Battista Buonamente, London Baroque | E Major | 1 | 12B | 101 BPM |