Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell's 'Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: II. Courente - Double - [Double II]' came out on March 1, 2024. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: II. Courente - Double - [Double II] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: II. Courente - Double - [Double II] by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata a 4 in D Major, WoO 4: V. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 79 BPM | ||
Les Éléments: IV. Ramage : L’Air | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 80 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM |
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