Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Mensa sonora / PARS II (In F Major): 5. Sarabanda (II)" available on January 1, 1988. With Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon And Gigue In D Major, P 37 | Johann Pachelbel, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 113 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto No. 4 in E Minor, SF 939 "La Cetra": II. Largo appoggiato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | F♯ Major | 1 | 2B | 75 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Suite in G: Air I | Johann Ludwig Bach, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 88 BPM | ||
Alessandro. (Les amours d'Alexandre et de Roxane): 1. Marche | Christoph Willibald Gluck, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 96 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Mystery (Rosary) Sonata No. 11, "The Resurrection": II. Surrexit Christus Hodie | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | F♯ Major | 1 | 2B | 72 BPM | ||
The Gordion Knot Unty'd, Z. 597: Chaconne | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM |
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