Irmgard Seefrid, Richard Holm, Kim Borg made "The Creation {Excerpt} : Chorus" available on October 1, 2012. The duration of The Creation {Excerpt} : Chorus is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The Creation {Excerpt} : Chorus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. In terms of popularity, The Creation {Excerpt} : Chorus is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Creation {Excerpt} : Chorus by Irmgard Seefrid, Richard Holm, Kim Borg is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K.626: 3a. Sequientia: Dies irae | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 152 BPM | ||
Così fan tutte, K. 588: Act 1: Coro "Bella Vita Militar!" - Recitativo "Non V'è Più Tempo" | Wolfgang Amadeus Mozart, Concerto Köln, Pietro Spagnoli, Bernarda Fink, Werner Güra, Kölner Kammerchor, René Jacobs, Véronique Gens, Marcel Boone | D Major | 1 | 10B | 130 BPM | ||
Stabat mater dolorosa (a due) | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | G Major | 1 | 9B | 87 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" | Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 4 | 6B | 104 BPM | ||
The Creation {Excerpt} : Finale: Soloists and Chorus | Irmgard Seefrid, Richard Holm, Kim Borg | B♭ Major | 4 | 6B | 99 BPM | ||
Requiem: I. Introit | Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans | A Minor | 2 | 8A | 139 BPM | ||
Davide penitente, K. 469: Duet: Sorgi, o Signore, e spargi (Soprano 1 and 2) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 119 BPM | ||
Requiem in C Minor: Sequence | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | B♭ Major | 1 | 6B | 75 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": III. Recitative: "Saget es, die ihr erlöst seid durch den Herrn" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 0 | 6B | 68 BPM | ||
The Creation {Excerpt} : Recitative | Irmgard Seefrid, Richard Holm, Kim Borg | C Major | 3 | 8B | 101 BPM |
Section: 0.8287069797515869
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