Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" - Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein Information

Acousticness: 94%
Danceability: 26%
Energy: 39%
Instrumentalness: 77%
Liveness: 24%
Loudness: 77%
Speechiness: 3%
Valence: 31%
Popularity: 5%
Loudness: -13.587 dB

Summary

Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein's 'Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen"' came out on January 1, 1969. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 13 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" BPM

We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" by Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Schubert: Mass in G Major, D. 167: Gloria	Franz Schubert, Lucia Popp, Adolf Dallapozza, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra	E Minor	0	9A	124 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto	Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan	A Minor	2	8A	95 BPM
Die schöne Müllerin, D. 795: II. Wohin?	Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore	D Major	1	10B	114 BPM
Ich will den Kreuzstab gerne tragen, Cantata BWV 56: I. "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter	G Major	3	9B	75 BPM
Die Zauberflöte, K.620 / Act 2: "In diesen heil'gen Hallen"	Wolfgang Amadeus Mozart, José van Dam, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	1	5B	119 BPM
Symphony No.9 In D / 1. Satz: Etwas frischer	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	4	6B	99 BPM
Petite messe solennelle: Credo	Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov	B Major	1	1B	135 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Billy Budd, Op. 50, Act II: Billy in the Darbies: Look! Through the port comes the moonshine astray	Benjamin Britten, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes	F Major	0	7B	168 BPM
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)	Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra	E Major	2	12B	100 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7332782745361328

End: 0.7406795024871826