Emilio de' Cavalieri, Mark Milhofer, Johannes Weisser, Marie-Claude Chappuis, Gyula Orendt, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs's 'Rappresentatione di anima et di corpo, Atto III Scena 9: "O quanti errori e tenebre" (Choro)' came out on February 23, 2015. Rappresentatione di anima et di corpo, Atto III Scena 9: "O quanti errori e tenebre" (Choro) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 15 out of 29 in Cavalieri: Rappresentatione di anima et di corpo by Emilio de' Cavalieri, René Jacobs, Marie-Claude Chappuis, Johannes Weisser, Akademie für Alte Musik Berlin, Chor der Deutschen Staatsoper Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Rappresentatione di anima et di corpo, Atto III Scena 9: "O quanti errori e tenebre" (Choro)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima et di corpo, Atto III Scena 9: "O quanti errori e tenebre" (Choro) by Emilio de' Cavalieri, Mark Milhofer, Johannes Weisser, Marie-Claude Chappuis, Gyula Orendt, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Stabat Mater: Quando corpus morietur… Fac ut animae donetur | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 2 | 6A | 89 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | F Minor | 0 | 4A | 67 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque Soloists | F♯ Minor | 1 | 11A | 118 BPM | ||
Viola da Gamba Suite in D Major: III. Vivace | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 103 BPM | ||
Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live) | Emilio de' Cavalieri, Antonio Abete, Roberto Mattei, Gemma Bertagnolli, Berta Rossetti, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | D Minor | 1 | 7A | 129 BPM | ||
Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM |
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