"Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live)" by Emilio de' Cavalieri, Antonio Abete, Roberto Mattei, Gemma Bertagnolli, Berta Rossetti, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini had its release date on January 13, 1994. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 47 in Cavalieri: Rappresentatione di anima, et di corpo (Live) by Emilio de' Cavalieri, Antonio Abete, Claudio Cavina, Roberto Mattei, Berta Rossetti, Marco Longhini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima, et di corpo: Io son, io son il mondo (Live) by Emilio de' Cavalieri, Antonio Abete, Roberto Mattei, Gemma Bertagnolli, Berta Rossetti, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
A Dream | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 119 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Intermedi della pellegrina, Pt. 6 "La discesa di Apollo e Bacco col ritmo e l'armonia": No. 5, O che nuovo miracolo (Live) | Emilio de' Cavalieri, Rossana Bertini, Elena Bertuzzi, Candida Guida, Paolo Fanciullacci, Marco Scavazza, Mauro Borgioni, Compagnia Dramatodìa, Coro Ricercare Ensemble, Modo Antiquo, Federico Maria Sardelli | G Major | 4 | 9B | 116 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM |