Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) - Robert Schumann, Martha Argerich Information

Acousticness: 100%
Danceability: 29%
Energy: 0%
Instrumentalness: 85%
Liveness: 7%
Loudness: 39%
Speechiness: 6%
Valence: 27%
Popularity: 6%
Loudness: -36.41 dB

Summary

Robert Schumann, Martha Argerich's 'Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live)' came out on November 16, 2018. The duration of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martha Argerich's "Martha Argerich: The Piano Legend" album is number 3 out of 34. The popularity of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) BPM

We consider the tempo marking of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) by Robert Schumann, Martha Argerich to be Prestissimo (even faster than presto) because the track has a tempo of 232 BPM, a half-time of 116BPM, and a double-time of 464 BPM. The time signature for this track is 3/4.

Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Live) Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Arabeske in C Major, Op. 18: No. 4 Zum Schluss	Robert Schumann, Maria João Pires	D♭ Major	0	3B	73 BPM
15 Improvisations, FP 170: No. 13 in A Minor	Francis Poulenc, Lucille Chung	C Major	0	8B	72 BPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)	Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll	A Major	0	11B	119 BPM
Cello Sonata in G Minor, Op. 65: III. Largo	Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel	B♭ Major	0	6B	89 BPM
Melody from « Orfeo »	Christoph Willibald Gluck, Roberto Giordano	G Minor	2	6A	115 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major	Antonín Dvořák, Stefan Veselka	G Major	0	9B	66 BPM
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante	Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield	E♭ Major	1	5B	120 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo	Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon	C Major	1	8B	84 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8281152248382568

End: 0.8317909240722656