"Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Also hat Gott die Welt geliebt" by Heinrich Schütz, Vox Luminis, Lionel Meunier was released on May 16, 2011. Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Also hat Gott die Welt geliebt appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Schütz: Musicalische Exequien". In this album, this song's track order is #8. In terms of popularity, Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Also hat Gott die Welt geliebt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Also hat Gott die Welt geliebt by Heinrich Schütz, Vox Luminis, Lionel Meunier having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: I. Magnificat anima mea | Johann Sebastian Bach, Vox Luminis, Lionel Meunier | B♭ Minor | 1 | 3A | 137 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Stabat Mater pour dix voix et basse continue: II. Cujus animam gementem | Domenico Scarlatti, Vox Luminis, Lionel Meunier | C Major | 3 | 8B | 90 BPM | ||
Ich weiss, dass mein Erlöser lebet, SWV 457 | Heinrich Schütz, Georg Poplutz, Tobias Mäthger, Hille Perl, Andreas Arend, Lee Santana, Anna Schall, Julia Fritz, Matthias Müller, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 70 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Alcidiane: Ritournelle et Recit Italien | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 90 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello … "Dal mio permesso amato a voi ne vegno" (La Musica) | Claudio Monteverdi, London Baroque, Charles Medlam, Theresa Caudle, Emma Kirkby | B♭ Minor | 0 | 3A | 91 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM |
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