Francisco Escalada, Andrew Lawrence-King, The Harp Consort made "Villancico: Canten dos jilguerillos" available on 2002. The duration of Villancico: Canten dos jilguerillos is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Villancico: Canten dos jilguerillos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andrew Lawrence-King, The Harp Consort's "Missa Mexicana" album is number 1 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Villancico: Canten dos jilguerillos is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Villancico: Canten dos jilguerillos by Francisco Escalada, Andrew Lawrence-King, The Harp Consort to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Repons: Eram quasi agnus | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | E Major | 1 | 12B | 173 BPM | ||
Alas, alas is my chief song | Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén | D Minor | 0 | 7A | 62 BPM | ||
Mijn hert altijt heeft verlanghen | Pierre de la Rue, Capilla Flamenca | A Minor | 0 | 8A | 76 BPM | ||
Ce fut en mai | Moniot d'Arras, Millenarium | E♭ Major | 1 | 5B | 83 BPM | ||
Membra Jesu Nostri, BuxWV 75: Sonata [Ad pectus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
Byrd: Prelude & Goodnight Ground a 5 | William Byrd, Fretwork | E♭ Major | 1 | 5B | 84 BPM | ||
Helas que me faut-il faire | Girard de Beaulieu, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | C Minor | 2 | 5A | 93 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: II. Sarabande | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM |
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