"Alas, alas is my chief song" by Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén was released on 2000. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ensemble belladonna, Susanne Ansorg, Miriam Andersén's "Melodious Melancholye (The Sweet Sounds of Medival England)" album is number 11 out of 16. On top of that, Germany appears to be the country where this track was created. Alas, alas is my chief song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alas, alas is my chief song by Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To Whom Shall I Cry? | Samsonov, The Russian Patriarchate Choir, Anatoly Grindenko | A♭ Major | 1 | 4B | 82 BPM | ||
Christe Patris excelsi | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | D♭ Major | 0 | 3B | 61 BPM | ||
Her wiert uns dürstet | Oswald von Wolkenstein, IOCULATORES, Veit Heller, Sebastian Pank, Michael Metzler, Susanne Ansorg | C Major | 2 | 8B | 80 BPM | ||
Pro Jiříka a Věrku Kutinovy | Pavel Jurkovič, Hana Blažíková, Tomáš Král, Hana Fleková, Jiřina Dvořáková-Marešová | C Major | 2 | 8B | 90 BPM | ||
Mass For Four Voices: 2. Credo | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 80 BPM | ||
Canço: "A chantarm’er de so" | Montserrat Figueras, Comtessa de Dia, Hespèrion XXI | F Major | 1 | 7B | 98 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Tanz nach Der herbest kumpt uns rîche nûch | Wizlav von Rügen, IOCULATORES, Michael Metzler, Susanne Ansorg, Veit Heller, Sebastian Pank | C Major | 4 | 8B | 82 BPM | ||
Hymnus: Florem mirificum | Hermannus Contractus, Ordo Virtutum, Susanne Ansorg, Stefan Johannes Morent | D♭ Major | 1 | 3B | 120 BPM | ||
Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval) | Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef | E Minor | 2 | 9A | 103 BPM |
Section: 0.5535879135131836
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