Vincenzo Bellini, Maurice André, Zürcher Kammerorchester, Edmond De Stoutz's 'Bellini: Oboe Concerto in E-Flat Major: I. Maestoso e deciso (Transcr. for Trumpet and Orchestra)' came out on August 2, 2019. With Bellini: Oboe Concerto in E-Flat Major: I. Maestoso e deciso (Transcr. for Trumpet and Orchestra) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Maurice André's "Les 100 chefs-d'œuvre de la trompette" album is number 45 out of 100. Based on our statistics, Bellini: Oboe Concerto in E-Flat Major: I. Maestoso e deciso (Transcr. for Trumpet and Orchestra)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bellini: Oboe Concerto in E-Flat Major: I. Maestoso e deciso (Transcr. for Trumpet and Orchestra) by Vincenzo Bellini, Maurice André, Zürcher Kammerorchester, Edmond De Stoutz to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Pirata, Act I: Lo sognai ferito | Vincenzo Bellini, Felice Romani, Marina Rebeka, Sonia Fortunato, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM |
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