"Carmina Burana / 2. In Taberna: "In taberna quando sumus"" by Carl Orff, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on January 1, 2002. The duration of Carmina Burana / 2. In Taberna: "In taberna quando sumus" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Carmina Burana / 2. In Taberna: "In taberna quando sumus"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmina Burana / 2. In Taberna: "In taberna quando sumus" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 2. In Taberna: "In taberna quando sumus" by Carl Orff, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna" | Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van Immerseel | D Major | 3 | 10B | 134 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, John Shirley-Quirk, Norma Burrowes, Southend Boys Choir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 4 | 9A | 132 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM |
Section: 0.8043868541717529
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