"La Tempestad, Acto II: En Busca de la Novia Que Ya Le Espera (Coro de los Consejos) - Remastered" by Ruperto Chapí, Miguel Ramos Carrión, Pilar Lorengar, Tony Rosado, Carlos Munguia, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid was released on January 15, 1954. La Tempestad, Acto II: En Busca de la Novia Que Ya Le Espera (Coro de los Consejos) - Remastered is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Ruperto Chapí, Miguel Ramos Carrión, Various Artists, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid's "La Zarzuela: La Tempestad" album is number 4 out of 19. On top of that, Spain appears to be the country where this track was created. La Tempestad, Acto II: En Busca de la Novia Que Ya Le Espera (Coro de los Consejos) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Tempestad, Acto II: En Busca de la Novia Que Ya Le Espera (Coro de los Consejos) - Remastered by Ruperto Chapí, Miguel Ramos Carrión, Pilar Lorengar, Tony Rosado, Carlos Munguia, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Dolores | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | A Major | 3 | 11B | 112 BPM | ||
La Bruja: "¿Cuándo Estaremos Lejos de Sus Miradas?" | Ramos Carrion, Ruperto Chapí, Orquesta Sinfonica | B♭ Major | 5 | 6B | 116 BPM | ||
España, Op.236 | Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl | F Major | 2 | 7B | 128 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
La Alegría de la Huerta: "Las beatas de la Fuensantica" - Remastered | Federico Chueca, Coros De Radio Nacional De España | C Major | 4 | 8B | 81 BPM | ||
Hace Tiempo Que Vengo al Taller (Duo Ascension y Joaquin) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 3 | 9B | 126 BPM |
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