Franz Liszt, Joseph Banowetz's 'Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 7, An die Turen will ich schleichen' came out on November 3, 1997. With Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 7, An die Turen will ich schleichen being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Liszt, Joseph Banowetz's "Liszt Complete Piano Music, Vol. 6: Complete Song Transcriptions of Chopin, Mendelssohn and Robert & Clara Schumann" album is number 16 out of 30. On top of that, Hong Kong appears to be the country where this track was created. Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 7, An die Turen will ich schleichen is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 7, An die Turen will ich schleichen by Franz Liszt, Joseph Banowetz to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 25: No. 5 in E Minor "Wrong Note" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Cadenza for W.A. Mozart: Piano Concerto in C Minor (K. 491), WoO 15 | Johannes Brahms, Idil Biret | B♭ Major | 1 | 6B | 76 BPM | ||
Nocturnes n°2 en fa majeur Bal des jeunes filles | Francis Poulenc, Alexandre Tharaud | A Major | 1 | 11B | 118 BPM | ||
6 Favoritwalzer: No. 1, J. 143 | Carl Maria von Weber, Michael Endres | D Major | 1 | 10B | 126 BPM | ||
Keyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto Spiritoso | Muzio Clementi, Balazs Szokolay | D Major | 2 | 10B | 123 BPM | ||
Valses oubliées, S. 215: No. 1, — | Franz Liszt, Goran Filipec | B♭ Major | 2 | 6B | 67 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Petite Suite, CD 71: IV. Ballet | Claude Debussy, Lang Lang, Gina Alice | D Major | 2 | 10B | 107 BPM | ||
Children's Album, Op. 39, TH 141: 3. Mama | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | B♭ Major | 1 | 6B | 135 BPM |
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