"Concertino, Op. 15: V. Sonatina II" by Gordon Crosse, Richard Adeney, Peter Graeme, Gervase De Peyer, Cecil Aronowitz was released on June 2, 2017. With Concertino, Op. 15: V. Sonatina II being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gordon Crosse, Various Artists, Norman Del Mar, György Lehel, Sir Colin Davis's "Gordon Crosse: Elegy for Small Orchestra, Concerto for Chamber Orchestra, Concertino & Violin Concerto" album is number 9 out of 12. In terms of popularity, Concertino, Op. 15: V. Sonatina II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concertino, Op. 15: V. Sonatina II by Gordon Crosse, Richard Adeney, Peter Graeme, Gervase De Peyer, Cecil Aronowitz to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Epigrams | Zoltán Kodály, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM | ||
Variations on Bach’s Goldberg Theme: Variation III, Major 7/4 | Brad Mehldau | F♯ Major | 0 | 2B | 71 BPM | ||
Wavesongs: III. A Little More Lively | Gordon Crosse, Alexander Baillie, Andrew Ball | D Major | 3 | 10B | 84 BPM | ||
18 Miniatures for Violin & Piano: No. 1, Lontano | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | B♭ Minor | 3 | 3A | 123 BPM |
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