"Goethe Lieder, Mignon I: Heiß mich nicht reden" by Hugo Wolf, Sophie Karthäuser, Eugene Asti was released on April 29, 2016. The duration of Goethe Lieder, Mignon I: Heiß mich nicht reden is about 3 minutes long, at 3:17. Based on our data, "Goethe Lieder, Mignon I: Heiß mich nicht reden" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wolf: Kennst du das Land by Hugo Wolf, Sophie Karthäuser, Eugene Asti. The song's track number on the album is #1 out of 23 tracks. Goethe Lieder, Mignon I: Heiß mich nicht reden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Goethe Lieder, Mignon I: Heiß mich nicht reden by Hugo Wolf, Sophie Karthäuser, Eugene Asti has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Goethe Lieder, Mignon I: Heiß mich nicht reden being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: An Chloe, K. 524 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
The Shepherd | Roderick Williams, Susie Allan | C Minor | 3 | 5A | 76 BPM | ||
Sechs Lieder, Op. 48: Gruß, Op. 48/1 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | C Minor | 3 | 5A | 133 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Songs of Travel: The Infinite Shining Heavens | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Major | 0 | 6B | 168 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Mass No. 3 In F Minor, WAB 28: 6. Agnus Dei | Anton Bruckner, Karita Mattila, Marjana Lipovsek, Thomas Moser, Kurt Moll, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 95 BPM | ||
Mazs, laimīgs zēns: No. 8, Vientuļais Namiņš (Transcr. for Mezzosoprano and Piano) | Raimonds Pauls, Elina Garanca | A♭ Major | 0 | 4B | 81 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": V. Sopran I und II solo: Ich harrete des Herrn / Chor: Wohl dem, der seine Hoffnung setzt auf den Herrn | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Marie Henriette Reinhold, Patrick Grahl, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
Wolf: Mörike-Lieder, Volume 2: No. 21, Auf eine Christblume II "Im Winterboden schläft" (Ziemlich langsam) | Hugo Wolf, Barbara Hendricks | F♯ Major | 0 | 2B | 91 BPM |
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