"The Shepherd" by Roderick Williams, Susie Allan was released on March 15, 2024. The duration of The Shepherd is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Shepherd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 30 in A Birthday Garland by Roderick Williams, Susie Allan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Shepherd is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Shepherd by Roderick Williams, Susie Allan is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 71: No. 4, Skovstilhed. Lento | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
9 Lieder und Gesänge, Op. 32: No. 5, Wehe, so willst du mich wieder | Johannes Brahms, Hélène Grimaud, Konstantin Krimmel | G Major | 4 | 9B | 60 BPM | ||
King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Passacaglia – How Happy the Lover / For Love Every Creature (Chorus) | Henry Purcell, Jeremy Budd, Carolyn Sampson, Roderick Williams, Paul McCreesh | F Minor | 1 | 4A | 122 BPM | ||
I said to Love, Op. 19b: For Life I had never cared greatly | Gerald Finzi, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 127 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 17 in B-Flat Minor. Grave | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 79 BPM | ||
Mozart: Abendempfindung, K. 523 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Mazurka in B-Flat Major, Op. 32 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
Bredon Hill and Other Songs: No. 3. When the lad for the longing sighs | George Butterworth, Roderick Williams, Iain Burnside | E Minor | 0 | 9A | 91 BPM |
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