Takemitsu: I Hear the Water Dreaming
Toru Takemitsu, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester
Dreamtime
10:54 October 25, 2019
BPM
137
Key
A Minor
Camelot
8A

Embed

Share Link

Takemitsu: I Hear the Water Dreaming - Toru Takemitsu, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester Information

Acousticness
99%
Danceability
22%
Energy
7%
Instrumentalness
70%
Liveness
13%
Loudness
60%
Speechiness
5%
Valence
3%
Popularity
Loudness
-23.884 dB

Summary

"Takemitsu: I Hear the Water Dreaming" by Toru Takemitsu, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester was released on October 25, 2019. Takemitsu: I Hear the Water Dreaming appears to be safe for all ages as it is not explicit. The song is number 14 out of 14 in Dreamtime by Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester. Based on our statistics, Takemitsu: I Hear the Water Dreaming's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Takemitsu: I Hear the Water Dreaming BPM

The tempo marking of Takemitsu: I Hear the Water Dreaming by Toru Takemitsu, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Takemitsu: I Hear the Water Dreaming Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Preludes in Quarter-Tone System: IV by Ivan Wyschnegradsky, Josef Christof, Steffen SchleiermacherPreludes in Quarter-Tone System: IVIvan Wyschnegradsky, Josef Christof, Steffen SchleiermacherF♯ Major42B148 BPM
Java Suite: Part I: I. Gamelan by Leopold Godowsky, Konstantin ScherbakovJava Suite: Part I: I. GamelanLeopold Godowsky, Konstantin ScherbakovD Minor07A88 BPM
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 by Julian Scriabin, Evgeny ZarafiantsPrelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1Julian Scriabin, Evgeny ZarafiantsB Major01B117 BPM
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera by Nora Mercz, Maurice Ravel, Janos BalintPiece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habaneraNora Mercz, Maurice Ravel, Janos BalintG Minor06A70 BPM
Gnossiennes: No. 5 by Erik Satie, Reinbert de LeeuwGnossiennes: No. 5Erik Satie, Reinbert de LeeuwE Minor09A94 BPM
Prélude en Ré b/Des by Lili Boulanger, Antonii BaryshevskyiPrélude en Ré b/DesLili Boulanger, Antonii BaryshevskyiA♭ Major04B72 BPM
Asturiana by Manuel de Falla, Kim Kashkashian, Robert LevinAsturianaManuel de Falla, Kim Kashkashian, Robert LevinF Minor04A89 BPM
Scenes de la foret, Op. 123: No. 1. Nocturne by Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, membersScenes de la foret, Op. 123: No. 1. NocturneMel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, membersA♭ Major04B131 BPM
And Birds Are Still . . ., Op. 72 by Takashi Yoshimatsu, Sachio Fujioka, Manchester CamerataAnd Birds Are Still . . ., Op. 72Takashi Yoshimatsu, Sachio Fujioka, Manchester CamerataG Major19B86 BPM
Presto in C Minor, H.230 Wq.114/3 by Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol GabettaPresto in C Minor, H.230 Wq.114/3Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol GabettaD♭ Major03B146 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6256568431854248

End: 0.6319468021392822