"And Birds Are Still . . ., Op. 72" by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata was released on September 1, 1998. Since And Birds Are Still . . ., Op. 72 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yoshimatsu: Piano Concerto "Memo Flora" by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Joe Houghton, Kate Wilson, Jonathan Price, Kyoko Tabe. The song's track number on the album is #4 out of 9 tracks. And Birds Are Still . . ., Op. 72 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since And Birds Are Still . . ., Op. 72 by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With And Birds Are Still . . ., Op. 72 being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | C Major | 1 | 8B | 77 BPM | ||
Kizuna World | Ryuichi Sakamoto | D Major | 2 | 10B | 73 BPM | ||
Symphony No. 40 In G Minor K550: Molto allegro | Manchester Camerata, Douglas Boyd | G Minor | 2 | 6A | 116 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
While an Angel Falls into a Doze . . ., Op 73 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Kyoko Tabe | D Minor | 0 | 7A | 140 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM |
Section: 0.6899726390838623
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