Britten: War Requiem, Op. 66. XIV. Offertorium - "So Abraham rose" (Tenor, Baritone) - Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra Information

Acousticness: 97%
Danceability: 13%
Energy: 8%
Instrumentalness: 22%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -26.515 dB

Summary

"Britten: War Requiem, Op. 66. XIV. Offertorium - "So Abraham rose" (Tenor, Baritone)" by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra had its release date on June 12, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 20 in Britten: War Requiem by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Saint Lucia. In terms of popularity, Britten: War Requiem, Op. 66. XIV. Offertorium - "So Abraham rose" (Tenor, Baritone) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Britten: War Requiem, Op. 66. XIV. Offertorium - "So Abraham rose" (Tenor, Baritone) BPM

The tempo marking of Britten: War Requiem, Op. 66. XIV. Offertorium - "So Abraham rose" (Tenor, Baritone) by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Britten: War Requiem, Op. 66. XIV. Offertorium - "So Abraham rose" (Tenor, Baritone) Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Simple Symphony, Op. 4: IV. Frolicsome Finale	Benjamin Britten, English Chamber Orchestra	G Major	4	9B	78 BPM
Suite pastorale: III. Sous-bois	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	0 BPM
Sonata For Arpeggione And Piano In A Minor, D. 821: 3. Allegretto	Franz Schubert, Mstislav Rostropovich, Benjamin Britten	G Major	0	9B	66 BPM
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	B Major	1	1B	152 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Brook Green Suite: I. Prelude	Gustav Holst, English Sinfonia, Howard Griffiths	F Major	2	7B	123 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	G Minor	1	6A	105 BPM
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	C Major	0	8B	83 BPM
Prologue: Chorus of Exiled Palestinians	John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus	F Minor	0	4A	90 BPM
Japanese Suite, Op. 33: II. Ceremonial Dance	Gustav Holst, Ulster Orchestra, Joann Falletta	D♭ Major	1	3B	108 BPM

ISRC: LC5295000059
Label: L-M Records/RCA Records