"Loreley" by Vienna Boys' Choir was released on January 1, 2006. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vienna Boys' Choir's "I Am From Austria" album is number 7 out of 13. In terms of popularity, Loreley is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Loreley by Vienna Boys' Choir to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Alleluia laus et gloria, IOL 8 | Orlande de Lassus, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 65 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Dextera Domini, FWV 65 | César Franck, Ensemble Vocal de Lausanne, Marie Jaermann, Jonathan Spicher, Michel Corboz, Manuel Rebelo | B♭ Major | 2 | 6B | 91 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 8. Horch, der Wind klagt in den Zweigen | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | E♭ Major | 1 | 5B | 103 BPM | ||
Rigaudon | André Campra, Douglas Bush, David Brown | A Major | 1 | 11B | 68 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Sanctus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |
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