Giovanni Paisiello, Gemma Bertagnolli, Carla Di Censo, Orchestra dei giovani del Conservatorio Claudio Monteverdi di Bolzano, Fabio Neri's 'Il mondo della luna: Act I Scene 5: Recitative: Eh venite sorella (Clarice, Flaminia)' came out on October 1, 2014. With Il mondo della luna: Act I Scene 5: Recitative: Eh venite sorella (Clarice, Flaminia) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Paisiello: Il mondo della luna (Live)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Il mondo della luna: Act I Scene 5: Recitative: Eh venite sorella (Clarice, Flaminia) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il mondo della luna: Act I Scene 5: Recitative: Eh venite sorella (Clarice, Flaminia) by Giovanni Paisiello, Gemma Bertagnolli, Carla Di Censo, Orchestra dei giovani del Conservatorio Claudio Monteverdi di Bolzano, Fabio Neri having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act II: Recitative: Nessun scriver mi vede (Rosina, Figaro, Bartolo) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | A Major | 1 | 11B | 132 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I Scene 2: Recitative: Sei cosi grosso (Count Almaviva, Figaro) | Giovanni Paisiello, Nicola Monti, Rolando Panerai, Virtuosi Di Roma, Renato Fasano | G Minor | 2 | 6A | 88 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 88 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM |
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