Georg Philipp Telemann, Custom Brass Quintet's 'Marche héroïque No. 6 in E Major, TWV 50:36 "L'amour" (Arr. T. Minakuchi for Brass Quintet)' came out on 2005. The duration of Marche héroïque No. 6 in E Major, TWV 50:36 "L'amour" (Arr. T. Minakuchi for Brass Quintet) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Marche héroïque No. 6 in E Major, TWV 50:36 "L'amour" (Arr. T. Minakuchi for Brass Quintet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 25 in Brass Circus Program by Custom Brass Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Marche héroïque No. 6 in E Major, TWV 50:36 "L'amour" (Arr. T. Minakuchi for Brass Quintet) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Marche héroïque No. 6 in E Major, TWV 50:36 "L'amour" (Arr. T. Minakuchi for Brass Quintet) by Georg Philipp Telemann, Custom Brass Quintet is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM |
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