Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act I - "3. Entrance: Birbanto, Les Corsaires"" available on October 14, 2011. With Le Corsaire: Act I - "3. Entrance: Birbanto, Les Corsaires" being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 3 out of 70. In terms of popularity, Le Corsaire: Act I - "3. Entrance: Birbanto, Les Corsaires" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Corsaire: Act I - "3. Entrance: Birbanto, Les Corsaires" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Coda: Allegro con fuoco | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
Die Puppenfee (The Fairy Doll): No. 15 Waltz | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
Le Corsaire: Act II - "9. Malenky Corsaire (Le Petit Corsaire)" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A Minor | 0 | 8A | 208 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
Symphony No. 2 in E-Flat Major: III. Allegro | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Major | 0 | 1B | 70 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Coppelia: Act I - Czardas-Danse hongroise | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 139 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM |
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