On August 1, 2002, the song "Poems of 1917, Op. 41: VI. A Dirge of the Trenches. Lento" was released by Leo Ornstein, Marc-André Hamelin. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Poems of 1917, Op. 41: VI. A Dirge of the Trenches. Lento's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 9 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Poems of 1917, Op. 41: VI. A Dirge of the Trenches. Lento is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Poems of 1917, Op. 41: VI. A Dirge of the Trenches. Lento by Leo Ornstein, Marc-André Hamelin to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
7 Virtuoso Etudes After Gershwin: No. 3, The Man I Love | Earl Wild, Carlos Manuel Vargas | F Minor | 2 | 4A | 66 BPM | ||
Phantasiestücke, Op. 88: No. 3, Duett (Arr. for Horn by Martin Owen) | Robert Schumann, Martin Owen, Francesca Dego, Alessandro Taverna | D Major | 0 | 10B | 95 BPM | ||
Inciso No. 4 | Carlo Balzaretti, Chen Xi, Gao Can | B Minor | 3 | 10A | 165 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 3. Phlegmatisch. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | F Minor | 1 | 4A | 135 BPM | ||
Forest Idylls, Op. 19: 3. Daydreams | Edward MacDowell, Roger Woodward | F Major | 0 | 7B | 167 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Tchaikovsky: Valse-scherzo, Op. 7 | Pyotr Ilyich Tchaikovsky, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Sonata No. 1 For Cello And Piano, Op. 52: III. scherzo (vivo, ma non troppo) | Leo Ornstein, Joshua Gordon, Randall Hodgkinson | C Major | 2 | 8B | 143 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM |