On February 1, 2010, the song "Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia" was released by Igor Stravinsky, Anthony Marwood, Thomas Adès. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 28 in the song's album "Stravinsky: Complete Music for Violin & Piano". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia by Igor Stravinsky, Anthony Marwood, Thomas Adès having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Viola Concerto "The Horizons": III. Adagio - Solitary Compass | Patrick O'Malley, BBC Scottish Symphony Orchestra, Andrew Constantine, Brett Deubner | D Major | 1 | 10B | 86 BPM | ||
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): IV. Gavotta con due variazioni | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Deep River (Arr. J. Lenehan for Clarinet & Piano) | Traditional, Helen Habershon, John Lenehan | E♭ Major | 0 | 5B | 63 BPM | ||
Sonata for Piano 4 Hands, FP 8: II. Rustique | Francis Poulenc, Charles Owen, Katya Apekisheva | F♯ Major | 0 | 2B | 73 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 7 – Coda. Allegro vivo | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | B Minor | 0 | 10A | 79 BPM | ||
Sonata No. 2 op. 36 in B flat Minor (First Version, 1913): II. Non allegro - Lento | Sergei Rachmaninoff, Alessandro Mazzamuto | E Minor | 0 | 9A | 63 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM |