"Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso" by György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang was released on March 22, 2024. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Ensemble Intercontemporain, Pierre Bleuse's "Ligeti" album is number 1 out of 37. On top of that, France appears to be the country where this track was created. Based on our statistics, Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso by György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jonestown | Frank Zappa, Ensemble Intercontemporain, Barking Pumpkin Digital Gratification Consort | F Minor | 2 | 4A | 81 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Ballade, L. 78 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): V. Adagio. Mesto | György Ligeti, Jacques Zoon, Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Claudio Abbado | F♯ Major | 0 | 2B | 87 BPM | ||
Fratres for Violin and Piano | Arvo Pärt, Joe Hisaishi, ミュージック・フューチャー・バンド | F Major | 2 | 7B | 149 BPM | ||
Trio for Clarinet, Violin & Piano: I. Freylakh | Paul Schoenfield, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko | F Minor | 4 | 4A | 83 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | ||
Suite for Violin and Piano, Op. 6: II. Moto perpetuo | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Polifón etüd | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | E Minor | 0 | 9A | 96 BPM |
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