"Prélude à l'après-midi d'un faune, L. 86" by Claude Debussy, Daniele Gatti, Orchestre National De France was released on April 16, 2012. Since Prélude à l'après-midi d'un faune, L. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Debussy: La mer, Prélude à l'après-midi d'un faun, Images pour orchestre by Claude Debussy, Daniele Gatti. Prélude à l'après-midi d'un faune, L. 86 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Daniele Gatti, Orchestre National De France is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Petite Suite: En Bateau - Arr. Henri Büsser For Orchestra | Henri Büsser, Gerald Garcia, Claude Debussy | G Major | 1 | 9B | 75 BPM | ||
Holberg Suite, Op. 40: II. Sarabande (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 107 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major | George Enescu, Orchestre National De France, Cristian Măcelaru | F Major | 2 | 7B | 85 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | C Major | 3 | 8B | 106 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | G Major | 5 | 9B | 82 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM |
Section: 0.7528829574584961
End: 0.75718092918396