City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act I - i. Flourish and dance music; ii. Final' came out on June 28, 2005. The duration of Hamlet Op. 32 - 1932 Production - Act I - i. Flourish and dance music; ii. Final is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Hamlet Op. 32 - 1932 Production - Act I - i. Flourish and dance music; ii. Final's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #4. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act I - i. Flourish and dance music; ii. Final is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hamlet Op. 32 - 1932 Production - Act I - i. Flourish and dance music; ii. Final by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XII. Neige, neige, du Ohnegleiche | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Soile Isokoski | D♭ Major | 1 | 3B | 64 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Grieg: Suite No. 1 from Peer Gynt, Op. 46: II. The Death of Åse | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 118 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Britten: Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco | Benjamin Britten, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | B♭ Major | 3 | 6B | 154 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IX. Höchste Herrscherin der Welt! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Jon Villars, London Symphony Chorus | E Major | 2 | 12B | 66 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
Section: 1.197559118270874
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