Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle - Henry Purcell, Julianne Baird, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 93%
Danceability: 35%
Energy: 5%
Instrumentalness: 0%
Liveness: 18%
Loudness: 59%
Speechiness: 5%
Valence: 24%
Popularity: 8%
Loudness: -24.661 dB

Summary

Henry Purcell, Julianne Baird, Academy of Ancient Music, Christopher Hogwood's 'Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle' came out on January 1, 1994. With Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #21. Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle BPM

With Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle by Henry Purcell, Julianne Baird, Academy of Ancient Music, Christopher Hogwood having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

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Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	A♭ Major	2	4B	76 BPM
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris	Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis	F♯ Minor	2	11A	100 BPM
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Missa Tempore Quadragesimae, MH 553: Kyrie	Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi	A Major	0	11B	77 BPM
Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere"	Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr	A♭ Major	1	4B	68 BPM
Pergolesi: Stabat Mater, P. 77: X. Fac ut portem Christi mortem	Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti	A Major	0	11B	128 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5879583358764648

End: 0.5941169261932373