Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta made "Laetatus sum. Gradual (Modo VII) - Remasterizado" available on June 3, 2016. The duration of Laetatus sum. Gradual (Modo VII) - Remasterizado is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Laetatus sum. Gradual (Modo VII) - Remasterizado's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 28 in El Canto Gregoriano en el Camino de Santiago (2016 Remastered Version) by Anonymous, Coro de Monjes del Monasterio Benedictino de Santo Domingo de Silos. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Laetatus sum. Gradual (Modo VII) - Remasterizado is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Laetatus sum. Gradual (Modo VII) - Remasterizado by Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sanctus 5 - In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | F Major | 1 | 7B | 169 BPM | ||
Per omnia saecula saeculorum... Pater noster... | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | B Major | 1 | 1B | 69 BPM | ||
Communion Verse for Sundays (Mode Plagal I) | Tikey Zes, Cappella Romana | C Major | 2 | 8B | 134 BPM | ||
Sicut Cervus (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | D Major | 2 | 10B | 80 BPM | ||
Laudes de sainte Ursule: XXIII. Kyrie "Pater noster, Oratio" | Hildegard von Bingen, Ensemble Organum, Marcel Pérès | B♭ Minor | 0 | 3A | 72 BPM | ||
Ego Clamavi | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | G Minor | 1 | 6A | 136 BPM | ||
Antiphons from the Advent Liturgy | Lucien Deiss, CSSp | A♭ Major | 1 | 4B | 128 BPM | ||
Missa Brevis: Kyrie (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | E Major | 1 | 12B | 90 BPM | ||
Aleluia, beatus vir qui suffert (Modo I) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Credo IV | Cantores 'Regina Caeli' | D Major | 1 | 10B | 67 BPM |
Section: 0.4758796691894531
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