"Sanctus 5 - In Nativitate Domini ad Missam in die" by Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. was released on January 1, 1986. With Sanctus 5 - In Nativitate Domini ad Missam in die being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J.'s "Gregorian Chant: Hymns and Vespers for the Feast of the Nativity" album is number 8 out of 22. The popularity of Sanctus 5 - In Nativitate Domini ad Missam in die is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sanctus 5 - In Nativitate Domini ad Missam in die by Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Victimæ Paschali Laudis | The Schola Cantorum of St. John XXIII Parish | A♭ Minor | 1 | 1A | 106 BPM | ||
Office of Readings: VI. Canticle Ecclesiasticus 14 | The Benedictine Monks of Worth Abbey | F Major | 0 | 7B | 116 BPM | ||
Office of Readings: IV. Psalm 14 | The Benedictine Monks of Worth Abbey | D♭ Major | 0 | 3B | 123 BPM | ||
Mass of the Immaculate Conception | Benedictine Monks of St. Wandrillede Fontonelle | A♭ Minor | 1 | 1A | 72 BPM | ||
Tempo Della Chiesa. Graduale: Ecce Quam Bonum | Canonici Regolari Di Sant'Antimo | A Minor | 0 | 8A | 138 BPM | ||
Messe de la toussaint : Communion beati | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 102 BPM | ||
In Epiphania Domini | Pro Cantione Antiqua, Mark Brown | E Major | 0 | 12B | 133 BPM | ||
La Messe: Communion "Beatam me dicent" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 69 BPM | ||
Missa Kyrie fons bonitatisV. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | E♭ Major | 2 | 5B | 130 BPM | ||
Missa cum iubilo - Credo | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 0 | 5B | 74 BPM |
Section: 0.5030395984649658
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