"Valses nobles et sentimentales: II. Assez lent - avec une expression intense" by Maurice Ravel, Alexandre Tharaud was released on 2003. The duration of Valses nobles et sentimentales: II. Assez lent - avec une expression intense is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Valses nobles et sentimentales: II. Assez lent - avec une expression intense's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Ravel: Intégrale de l'œuvre pour piano". In this album, this song's track order is #7. Valses nobles et sentimentales: II. Assez lent - avec une expression intense is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Valses nobles et sentimentales: II. Assez lent - avec une expression intense by Maurice Ravel, Alexandre Tharaud having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miroirs: IV. Alborada del gracioso | Maurice Ravel, André Laplante | D Major | 1 | 10B | 140 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | G Major | 0 | 9B | 97 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Introduction And Allegro For Harp, String Quartet, Flute And Clarinet | Maurice Ravel, Nash Ensemble, Skaila Kanga, Philippa Davies, Michael Collins | E♭ Minor | 1 | 2A | 70 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM |
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