"Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato" by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic was released on July 15, 2014. With this song being about 5 minutes long, at 5:11, "Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato" by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 18 in Debussy: Marche Ecossaise / Images (Arr. for Orchestra) / Ravel: Le Tombeau De Couperin by Zoltán Kocsis, Hungarian National Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. In terms of popularity, Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato by Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Yo-Yo Ma, Emanuel Ax, Isaac Stern, Jaime Laredo | B♭ Major | 0 | 6B | 134 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: II. Andante molto tranquillo | Edvard Grieg, Truls Mørk, Håvard Gimse | A♭ Minor | 1 | 1A | 173 BPM | ||
Elgar: Serenade for Strings, Op. 20: II. Larghetto | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 1 | 8B | 72 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM |
Section: 0.7888691425323486
End: 0.7995872497558594