"Requiem in D minor, K.626: 3. Sequentia: Lacrimosa" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1991. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Requiem" album is number 8 out of 14. Based on our statistics, Requiem in D minor, K.626: 3. Sequentia: Lacrimosa's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: 3. Sequentia: Lacrimosa by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Due pupille amabili, notturno, K. 439 | Wolfgang Amadeus Mozart, Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | F Major | 0 | 7B | 93 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato | Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 2 | 9A | 89 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Dies Iræ | Wolfgang Amadeus Mozart, RIAS Kammerchor, Freiburger Barockorchester, René Jacobs | A Minor | 4 | 8A | 141 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Cum sancto spiritu | Wolfgang Amadeus Mozart, Camilla Tilling, Sarah Connolly, Timothy Robinson, Neal Davies, Gabrieli, Paul McCreesh | C Major | 4 | 8B | 107 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM |
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