"Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato" by Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner was released on February 4, 1988. Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato appears to be safe for all ages as it is not explicit. The song is number 4 out of 6 in Bruch: Violin Concerto No. 1 / Mendelssohn: Violin Concerto by Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner. Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato by Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2 | Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist | E Major | 0 | 12B | 120 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Zigeunerweisen, Op. 20 | Pablo de Sarasate, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | G Minor | 3 | 6A | 81 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato | Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 2 | 9A | 89 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Major | 2 | 12B | 75 BPM |
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