Pyotr Ilyich Tchaikovsky, Clara Rockmore, Nadia Reisenberg's '6 Morceaux, Op. 51, No. 6. Valse sentimentale: 6 Morceaux, Op. 51: No. 6, Valse sentimentale (Arr. For theremin and piano)' came out on January 1, 1987. The duration of 6 Morceaux, Op. 51, No. 6. Valse sentimentale: 6 Morceaux, Op. 51: No. 6, Valse sentimentale (Arr. For theremin and piano) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 6 Morceaux, Op. 51, No. 6. Valse sentimentale: 6 Morceaux, Op. 51: No. 6, Valse sentimentale (Arr. For theremin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rachmaninov, S.: Vocalise / Saint-Saens, C.: Le Cygne / Falla, M.: El Amor Brujo / Achron, J.: Hebrew Melody (The Art of the Theremin)". In this album, this song's track order is #10. 6 Morceaux, Op. 51, No. 6. Valse sentimentale: 6 Morceaux, Op. 51: No. 6, Valse sentimentale (Arr. For theremin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Morceaux, Op. 51, No. 6. Valse sentimentale: 6 Morceaux, Op. 51: No. 6, Valse sentimentale (Arr. For theremin and piano) by Pyotr Ilyich Tchaikovsky, Clara Rockmore, Nadia Reisenberg having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Obsolete Objects | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 162 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Violence Of The Lambs | Alejandro Jodorowsky | D Minor | 1 | 7A | 172 BPM | ||
Capr./Caprice Rubato | Oskar Sala | D Major | 2 | 10B | 75 BPM | ||
Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) | Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen | F♯ Minor | 0 | 11A | 98 BPM | ||
Theme From Ghost World | David Kitay | C Minor | 0 | 5A | 95 BPM | ||
Time Hole | Jonny Greenwood | F♯ Major | 0 | 2B | 111 BPM | ||
Fog Tropes | Ingram Marshall | B♭ Major | 1 | 6B | 84 BPM | ||
Melody | Joseph Moiseyevich Schillinger, Lydia Kavina, Joshua Pierce | B♭ Minor | 1 | 3A | 0 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM |
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