"L'elisir d'amore / Act I: "Chiedi all'aura lusinghiera"" by Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1990. Since L'elisir d'amore / Act I: "Chiedi all'aura lusinghiera" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 33 in Donizetti: The Elixir of Love by Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine. L'elisir d'amore / Act I: "Chiedi all'aura lusinghiera" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'elisir d'amore / Act I: "Chiedi all'aura lusinghiera" by Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: l barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 1 | 12B | 165 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Rigoletto / Act 1: "Figlia!" / "Mio padre!" (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 78 BPM | ||
Soirées musicales: 8. La Danza - Remastered 2013 | Gioachino Rossini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 4 | 7B | 73 BPM | ||
La Bohème / Act 1: "Si può" - "Chi è là?" | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
La Cenerentola / Act 1: "Là del diel nell'arcano profondo" | Gioachino Rossini, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 2 | 8B | 123 BPM | ||
La Gioconda / Act 2: Cielo e mar! | Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 2 | 5B | 175 BPM | ||
Occhi di fata | Luigi Denza, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | A Major | 3 | 11B | 85 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM |
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