"Strauss, R: An Alpine Symphony, Op. 64: II. Sunrise" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 2013. With Strauss, R: An Alpine Symphony, Op. 64: II. Sunrise being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Strauss, R: An Alpine Symphony, Op. 64: II. Sunrise is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: II. Sunrise by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 2. H.D.S.-P. (Allegro) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium (Narrated by Jimmy Fallon) | Camille Saint-Saëns, Lang Lang, Gina Alice, Gewandhausorchester, Andris Nelsons, Jimmy Fallon | C Major | 4 | 8B | 103 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM |
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