Ebe Stignani, Maria Callas's 'Si, Fino All'ore Estreme' came out on September 8, 2010. The duration of Si, Fino All'ore Estreme is about 3 minutes long, at 3:17. Based on our data, "Si, Fino All'ore Estreme" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The Best Of Norma - The Opera Masters Series". In this album, this song's track order is #11. Based on our statistics, Si, Fino All'ore Estreme's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Si, Fino All'ore Estreme by Ebe Stignani, Maria Callas having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mercè, dilette amiche | Tamara Radjenovic, Makris Symphony Orchestra & Choir | A Minor | 3 | 8A | 112 BPM | ||
Oh, Rimembranza! | Ebe Stignani, Maria Callas | F Minor | 3 | 4A | 95 BPM | ||
Le Villi: Act II - No, possibil non è... Anima santa della figlia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Pour un marquis de si bel air" (Arlette) | Johann Strauss II, Franck Pourcel, Liliane Berton, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 82 BPM | ||
Puccini: Turandot, Act 1: "La grazia!" - "O divina bellezza" (Coro, Calaf) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 79 BPM | ||
Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Les Contes d'Hoffmann / Act 1: Le conseiller Lindorf, morbleu! | Jacques Offenbach, Andreas Schmidt, Robert Gambill, Orchestre National De France, Seiji Ozawa | B♭ Major | 1 | 6B | 107 BPM | ||
Messa di Gloria: XVIII. Agnus Dei | Giacomo Puccini, Charles Castronovo, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | C Major | 1 | 8B | 140 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM |
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