Carl Orff, Cleveland Orchestra, Michael Tilson Thomas's 'Carmina Burana: Estuans interius' came out on 1975. The duration of Carmina Burana: Estuans interius is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Carmina Burana: Estuans interius's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #12. Carmina Burana: Estuans interius is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Estuans interius by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Pictures at an Exhibition: Catacombs (Roman Sepulchre) | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Pagliacci / Act 1: "Cammina adagio" - "Derisione e scherno!" - "Padron! che fate!" | Ruggero Leoncavallo, Ingvar Wixell, Lorenzo Saccomani, Mirella Freni, Luciano Pavarotti, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 74 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 111 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM | ||
Slavonic Dances, Op. 72 (Remastered): No. 2 in E Minor. Allegretto grazioso | Antonín Dvořák, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 73 BPM | ||
Carmina Burana / 2. In Taberna: "Ego sum abbas" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | F♯ Major | 2 | 2B | 82 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Sarah Walker, Olga Borodina, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | A Major | 1 | 11B | 133 BPM | ||
Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | C Minor | 0 | 5A | 69 BPM |
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