Carmina Burana / 2. In Taberna: "Ego sum abbas" - Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti Information

Acousticness: 96%
Danceability: 36%
Energy: 19%
Instrumentalness: 0%
Liveness: 7%
Loudness: 72%
Speechiness: 10%
Valence: 6%
Popularity: 24%
Loudness: -17.089 dB

Summary

"Carmina Burana / 2. In Taberna: "Ego sum abbas"" by Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. With Carmina Burana / 2. In Taberna: "Ego sum abbas" being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Carmina Burana / 2. In Taberna: "Ego sum abbas" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmina Burana / 2. In Taberna: "Ego sum abbas" BPM

With Carmina Burana / 2. In Taberna: "Ego sum abbas" by Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Carmina Burana / 2. In Taberna: "Ego sum abbas" Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist"	Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber	G Major	1	9B	50 BPM
Manon Lescaut: Act IV: Sola, perduta, abbandonata	Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari	D Major	0	10B	83 BPM
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air	Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra	E Major	1	12B	82 BPM
Turandot / Act 3: Liù! Liù! Sorgi! Sorgi!	Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta	D♭ Major	1	3B	98 BPM
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust	Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado	B♭ Major	0	6B	100 BPM

ISRC: GBF077540413
Label: L-M Records/RCA Records

Section: 0.7558834552764893

End: 0.7610931396484375