Aaron Copland, Gloriae Dei Cantores, Elizabeth C. Patterson's 'Four Motets: III. Have Mercy on Us, O My Lord' came out on November 14, 2000. The duration of Four Motets: III. Have Mercy on Us, O My Lord is about 3 minutes long, at 3:27. Based on our data, "Four Motets: III. Have Mercy on Us, O My Lord" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 23 in Aaron Copland & Virgil Thomson - Sacred & Secular Choral Music by Gloriae Dei Cantores, Elizabeth C. Patterson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Four Motets: III. Have Mercy on Us, O My Lord is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Motets: III. Have Mercy on Us, O My Lord by Aaron Copland, Gloriae Dei Cantores, Elizabeth C. Patterson is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Copland: The Tender Land, Act 1, Scene 4: Trio. "A stranger may seem strange that's true" (Martin, Top, Grandpa) | Aaron Copland, Philip Brunelle, Dan Dressen, James Bohn, LeRoy Lehr, Orchestra Of The Plymouth Music Series | B♭ Major | 0 | 6B | 75 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Grand Canyon Suite: I Sunrise | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A Major | 2 | 11B | 111 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Fantasia on British Sea Songs (excerpts): II. Tom Bowling | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | C Major | 0 | 8B | 93 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM |
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