Robert Schumann, Fazıl Say's 'Schumann: Kinderszenen, Op. 15: No. 7, Träumerei' came out on May 6, 2022. The duration of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is about 3 minutes long, at 3:00. Based on our data, "Schumann: Kinderszenen, Op. 15: No. 7, Träumerei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Evening Piano - Schumann: Träumerei and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Fazıl Say is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Ses, Op. 40b | Fazıl Say | D Major | 1 | 10B | 99 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo | Robert Schumann, Jenő Jandó | E♭ Minor | 1 | 2A | 114 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
İzmir Suite, Op. 79: II. Brahms in İzmir | Fazıl Say | D Minor | 1 | 7A | 70 BPM |
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