"Turangalîla Symphonie: Turangalîla 1" by Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod was released on May 17, 2004. With this song being about 5 minutes long, at 5:14, "Turangalîla Symphonie: Turangalîla 1" by Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Olivier Messiaen, Seiji Ozawa's "Messiaen Turangalîla Symphony: Classic Library Series" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Turangalîla Symphonie: Turangalîla 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: Turangalîla 1 by Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | E Major | 0 | 12B | 86 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM |
Section: 0.542229413986206
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