Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Eguez, Brian Feehan, Guido Morini, Lorenz Duftschmid, Pedro Estevan's 'Libro quarto d'intavolatura di chitarone: No. 6, Canario' came out on January 1, 1993. The duration of Libro quarto d'intavolatura di chitarone: No. 6, Canario is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Libro quarto d'intavolatura di chitarone: No. 6, Canario's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Girolamo Kapsberger, Various Artists's "Kapsberger: Libro quarto d'intavolatura di chitaronne" album is number 6 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Libro quarto d'intavolatura di chitarone: No. 6, Canario is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro quarto d'intavolatura di chitarone: No. 6, Canario by Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Eguez, Brian Feehan, Guido Morini, Lorenz Duftschmid, Pedro Estevan to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Suite in F-Flat Minor: IV. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Ciacona | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | F♯ Major | 1 | 2B | 123 BPM | ||
Suite in F-Flat Minor: I. Prélude | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM |
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