Vieux Gaultier, Hopkinson Smith's 'Suite in F-Flat Minor: I. Prélude' came out on 2000. With Suite in F-Flat Minor: I. Prélude being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vieux Gaultier: Pièces de luth by Vieux Gaultier, Hopkinson Smith. The song's track number on the album is #8 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Suite in F-Flat Minor: I. Prélude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in F-Flat Minor: I. Prélude by Vieux Gaultier, Hopkinson Smith has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in F-Flat Minor: I. Prélude being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pièces de Luth, Livre I in A Minor: No. 4, Canarie | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 64 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
A Fancy | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 82 BPM | ||
Courante | Ennemond Gaultier, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Fantasia No. 36 "De mon triste" | Francesco da Milano, Hopkinson Smith | G Minor | 1 | 6A | 99 BPM | ||
Plus de tristesse, prends ta maitresse (Ballo) | Francesco da Milano, Hopkinson Smith | G Minor | 1 | 6A | 83 BPM | ||
Suite in C Major: I. Preludio | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 84 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM |
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