Vieux Gaultier, Hopkinson Smith's 'Suite in F-Flat Minor: IV. Sarabande' came out on 2000. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vieux Gaultier: Pièces de luth by Vieux Gaultier, Hopkinson Smith. The song's track number on the album is #11 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Suite in F-Flat Minor: IV. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in F-Flat Minor: IV. Sarabande by Vieux Gaultier, Hopkinson Smith has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in F-Flat Minor: IV. Sarabande being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavan No. 1 in C Minor | Robert Johnson, Nigel North | C Major | 1 | 8B | 179 BPM | ||
The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
Allegretto [ms. 91] – Valtz [ms. 92] – Rondò [ms. 93] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
5e livre de viole: Dialogue (Légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | B Minor | 2 | 10A | 181 BPM | ||
Preludio Secondo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 0 | 2B | 93 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
Pièces de Luth in D Minor: VI. Fantaisies | Ennemond Gaultier, Denis Gaultier, Konrad Junghanel | D♭ Minor | 0 | 12A | 84 BPM | ||
George Brabazon | Ronn McFarlane | E Major | 1 | 12B | 120 BPM |
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